When you shoot film you have to be an artist and a technician at the same time. Before you open the shutter there are composition, creative use of contrasts and colours, and trickery with lights to be concerned with. After that come the concerns about aperture, shutter speed and film reciprocity behaviour. And then, in the end, there is film development. What developer do you use? At what dilution? And then, for how long do I leave it in? Should I agitate or not? If so, how often? In this article, I will be taking you away from the manuals…Comments closed
Category: Large Format Photography
Ramblings about large format photography, cameras and all the other aspects that come with shooting larger formats.
Focusing a view camera in bright daylight can be as much as a pain as in low light conditions, when light directly hits the ground glass. The lower contrast that it causes, makes the image on the ground glass hard to see and focusing a pain. A good dark cloth is in my opinion not a luxury, but a necessity. There are probably plenty people that disagree with this statement, however. Some prefer no dark cloth at all, or use a black t-shirt instead. If you are in the market for a dedicated dark cloth there are currently three popular…Comments closed
For years I have been saying that I will either buy or build my own large format camera, but the total cost of a 4×5 system consisting of camera and enlarger always put me off. Until now. A few weeks ago, I acquired a Toyo 45A in very good condition which came with a Rodenstock Sironar-N 150 mm lens and a few sheet film holders. About a week later, I picked up a complete Durst Laborator L1200 in Amsterdam and two weeks after that I made the first prints of my first ever 4×5 sheets. In this post, I will…Comments closed